sloppy seconds
A series of posters by justinvg which depict Russian ‘victories’ during the early space race.
- Sputnik 1 (1957) - The announcement by the USSR that they had put this tiny metal ball into orbit was the cause of major concern for the US, sparking the space race.
- Luna Programme (1959-76) - Shortly after sending Sputnik 1 and 2 into Earth’s orbit, the Soviets set their sights even further, and successfully sent 15 probes to the Moon over a period of 17 years.
- Vostok 1 (1961) - The USSR became the first nation to send a person into space when Yuri Gagarin spent 81 minutes orbiting the Earth.
- Voskhod 1 (1965) - This mission saw another milestone set by the Soviets when Alexei Leonov became the first person to perform extra-vehicular activity.
They did beat us to several milestones, but thankfully we’ve since reconciled our differences and are exploring the cosmos together. And by “exploring the cosmos together” I mean that we are completely reliant on them to get our astronauts into space.
Previously: Don’t miss these amazing vintage Soviet space propaganda posters! And whatever this is supposed to mean!?
(Source: i-am-the-oracular-spectacular)
…I saw the best minds of my generation destroyed by madness, starving hysterical naked,
dragging themselves through the negro streets at dawn looking for an angry fix,
Angel-headed hipsters burning for the ancient heavenly connection
to the starry dynamo in the machinery of night
— howl. allen ginsberg
![new-aesthetic:
“Someone worked really hard to make the language just right, just the way they wanted it. They were so sure of it that they printed it in ink, on paper. A screen always feels like we could delete that, change that, move it around. So for a literature-crazed person like me, it’s just not permanent enough.” [Jonathan Franzen]
[Franzen’s] speech raised heated discussions in newspaper columns and on the internet. The focus was mainly on defending technology and e-books as a viable and improved evolution, and on how he was being retrograde. What was missing from the discourse was the fact that technology has also violently altered printed books in a way from which there is no return. We are so disconnected from the means of production that nobody seems to be aware that books are produced very differently then they were 100 years ago. Digital files are exchanged between writers, publishers and printers all over the world.
In the context of the Piracy Project, which we initiated in London in 2010, we discovered cases, which not only took control over the object, but over the content. Inspired by Daniel Alarcon’s article in Granta magazine, “Life Among Pirates”, we traveled to Peru and discovered, for instance, a pirated version of Jaime Bayly’s novel No se lo digas a nadie with two extra chapters added. This physical object may look obviously pirated to a trained eye but could easily pass as the original if you were not looking for differences. The extra chapters are good, good enough to pass undetected by readers.
Rhizome | The Impermanent Book](http://25.media.tumblr.com/tumblr_m3aaj21yLX1qjjis9o1_500.jpg)
“Someone worked really hard to make the language just right, just the way they wanted it. They were so sure of it that they printed it in ink, on paper. A screen always feels like we could delete that, change that, move it around. So for a literature-crazed person like me, it’s just not permanent enough.” [Jonathan Franzen]
[Franzen’s] speech raised heated discussions in newspaper columns and on the internet. The focus was mainly on defending technology and e-books as a viable and improved evolution, and on how he was being retrograde. What was missing from the discourse was the fact that technology has also violently altered printed books in a way from which there is no return. We are so disconnected from the means of production that nobody seems to be aware that books are produced very differently then they were 100 years ago. Digital files are exchanged between writers, publishers and printers all over the world.
In the context of the Piracy Project, which we initiated in London in 2010, we discovered cases, which not only took control over the object, but over the content. Inspired by Daniel Alarcon’s article in Granta magazine, “Life Among Pirates”, we traveled to Peru and discovered, for instance, a pirated version of Jaime Bayly’s novel No se lo digas a nadie with two extra chapters added. This physical object may look obviously pirated to a trained eye but could easily pass as the original if you were not looking for differences. The extra chapters are good, good enough to pass undetected by readers.
New York
London
Moscow
Rio De Janerio
——-
prelim test- for shits and giggles. kinda pretty though.
The lessons drawn from dérives enable us to draw up the first surveys of the psychogeographical articulations of a modern city. Beyond the discovery of unities of ambiance, of their main components and their spatial localization, one comes to perceive their principal axes of passage, their exits and their defenses. One arrives at the central hypothesis of the existence of psychogeographical pivotal points. One measures the distances that actually separate two regions of a city, distances that may have little relation with the physical distance between them. With the aid of old maps, aerial photographs and experimental dérives, one can draw up hitherto lacking maps of influences, maps whose inevitable imprecision at this early stage is no worse than that of the first navigational charts. The only difference is that it is no longer a matter of precisely delineating stable continents, but of changing architecture and urbanism.
— Guy Debord, “Theory of Dérive”, 1958
You get home from a long day at work and turn on the TV. It’s been a long week, so you think to yourself- maybe i’ll take the family to a movie on Saturday. Maybe we’ll even go on a vacation soon! We could visit museums and go to plays and see all sorts of fun attractions.
When you turned the TV on, nothing happened. There are no actors to entertain you.
When you went to the movie theater, nothing was showing. There were no advertisements to tell you that anything was showing, so you went to the theater to find out. Nothing playing. There is no one to film and create movies for you. Well at least your vacation will be fun, right? Not like there will be any plays to see and there won’t be anything in the art museums.
Well at least you have the shack you are living in that you made out of cardboard and sheets.
Not like you could find an architect to build you a house with all the money you’re making as an engineer.
(Source: swyhis)
if I could stay here forever I would.
here’s to the beer downed, gigs stomped, parties pooped, missed connections, long talks, 420, more 420, and all things held together by pixie dust and cali sunshine.
